Oculus, Satan’s Eye Buried in the NYC Subway… Under Ground Zero
Beneath the Chambers Street / World Trade Center subway stop in New York City, lies an occult symbol that millions of Americans have looked upon without noticing it’s inherently Satanic overtones.
This New World Order Satanic symbol is known as Oculus.
An artwork entitled Oculus (Eye) has been installed all over the Chambers Street/World Trade Center station complex. Created by Kristin Jones and Andrew Ginzel, Oculus consists of 300 different mosaic eyes, all based upon actual human eyes taken from photographs–not computer generated.
The centerpiece of the work is an elliptical glass and stone mosaic floor, with a magnificent micro mosaic eye at the center of an ultramarine vortex with the image of the City of New York woven into the picture.
The Cult of Oc: is derived from the ancient symbols of the circular sun and the crescent moon, which when joined together form the word oc.
“To occult” means to eclipse, as when the moon obscures the sun during a total eclipse. Oc is also the root of the Latin word for eye - oculus. So the occult is the cult of the celestial sun moon eye whose wink darkens the day.
Occult actually means hidden and is often represented by a closed eye, or a winking eye.
Curious are the words, “ultramarine” and “vortex”. Ultramarine is defined as “Of or from a place beyond the sea” which represents something supernatural. As the sea itself is Biblically symbolic of the people, this eye comes from somewhere beyond humanity and as such is supernatural in it’s being.
A vortex is defined as:
1. a whirling mass of water (people), esp. one in which a force of suction operates, as a whirlpool.
2. a whirling mass of air (Satan is the lord of the air), esp. one in the form of a visible column or spiral, as a tornado.
3. a whirling mass of fire, flame, etc.
4. a state of affairs likened to a whirlpool for violent activity, irresistible force, etc.
5. something regarded as drawing into its powerful current everything that surrounds it: the vortex of war.
6. (in Cartesian philosophy) a rapid rotatory movement of cosmic matter about a center, regarded as accounting for the origin or phenomena of bodies or systems of bodies in space.
It is not hard to understand that there is indeed a very real satanic power represented by this mosaic and it’s all seeing eye, yes, the same all seeing eye depicted on the back of your dollar bill of which Illuminist and lusciferian Albert Pike writes in his Illuminist book Morals and Dogma, “…the All-Seeing Eye, …to the Egyptian initiates was the emblem of Osiris, the Creator.”
“… His [Osiris] power was symbolized by an Eye over a Sceptre. The Sun was termed by the Greeks the Eye of Jupiter, and the Eye of the World; and his is the All-Seeing Eye in our Lodges.”
Pike, a luciferian is openly admitting here that the all seeing eye is indeed the eye of Lucifer.
As previously mentioned, this is the same all seeing eye pictured on the back of the $1 bill and as such is also the reversed side of America’s Great Seal of which famed occultist Manly. P Hall writes, ” “On the reverse of our nation’s Great Seal is an unfinished pyramid to represent human society itself, imperfect and incomplete. Above floats the symbol of the esoteric orders, the radiant triangle with its all-seeing eye. … There is only one possible origin for these symbols, and that is the secret societies which came to this country 150 years before the Revolutionary War. … There can be no question that the great seal was directly inspired by these orders of the human Quest, and that it set forth the purpose for this nation. ”
Is it possible that America has been fulfilling a New World Order plan, an occultist plan, since it’s inception? I believe that as far back as World War One, the answer is indeed yes.
To further understand this I suggest you all find a copy of the video America’s Secret Beginning as well as Riddles in Stone, to help you dig deeper into much of what this country was actually founded on, as in deism not Christianity.
As for grasping the understand the all seeing eye, one needs to go back into ancient Egypt and to Osirus and Horus, both of whom are represented by the eye.
The origin of Osiris’s name is a mystery, which forms an obstacle to knowing the pronunciation of its hieroglyphic form. The majority of current thinking is that the Egyptian name is pronounced aser where the a is the letter ayin (i.e. a short ‘a’ pronounced from the back of the throat as if swallowing.
The myth described Osiris as having been killed by his brother Seth who wanted Osiris’ throne. Isis briefly brought Osiris back to life by use of a spell that she learned from her father. This spell gave her time to become pregnant by Osiris before he again died. Isis later gave birth to Horus. As such, since Horus was born after Osiris’ resurrection, Horus became thought of as representing new beginnings. This combination, Osiris-Horus, was therefore a life-death-rebirth deity, and thus associated with the new harvest each year.
The gods were impressed by the devotion of Isis and thus restored Osiris to life in the form of a different kind of existence as the god of the underworld.
Wow, God of the Underworld! Imagine that! Ironically, that’s a title also viewed as Satan’s.
The links are clear and the fact that Oculus is located below ground zero is more than just bizarre.It raises the question, were those that lost their lives on 911 part of a ritual sacrfice to an ancient and evil deity known as the Serpent or the Devil?
His eye, and a depiction of swirling fire are buried beneath the site where this tragedy ocurred, yet most Americans don’t even notice Satan’s very own fingerprint when they see it.
http://www.nycsubway.org/perl/artwork_show?28
http://www.conspiracyarchive.com/NWO/All_Seeing_Eye.htm
http://www.cosmicpuzzle.com/lore.htm
Hi,
Just as comment regarding Osiris - In Alexander Hilsop’s book, The Two Babylon’s, Osiris may be none other than Nimrod in Genesis. In Hebrew , his name means “to rebel” or in the sense of “We will rebel”. Although the Bible doesn’t say much in regard to who he is and what became of him, we do know that he was a hunter. Speculatively, he may be the figure after which the constellation Orion is fashioned. The following is an exerpt from “The Two Babylon’s”. I apologize for this being so lengthy. I think Hilsop does a pretty good job in tying in some of the myths and legends of this figure to Osiris and other similar deities. Like much of mythology, I believe there is some truth that can be gleened from it. How much? I can’t be certain. This is after all theorhetical. I do believe it is worth the read and I’ll leave it to you to decide what value if any this adds to who Nimrod and possibly Osiris was.
Chapter2.2
“How Nimrod died, Scripture is entirely silent. There was an ancient tradition that he came to a violent end. The circumstances of that end, however, as antiquity represents them, are clouded with fable. It is said that tempests of wind sent by God against the Tower of Babel overthrew it, and that Nimrod perished in its ruins. This could not be true, for we have sufficient evidence that the Tower of Babel stood long after Nimrod’s day. Then, in regard to the death of Ninus, profane history speaks darkly and mysteriously, although one account tells of his having met with a violent death similar to that of Pentheus, Lycurgus, * and Orpheus, who were said to have been torn in pieces. **
* Lycurgus, who is commonly made the enemy of Bacchus, was, by the Thracians and Phrygians, identified with Bacchus, who it is well known, was torn in pieces.
** LUDOVICUS VIVES, Commentary on Augustine. Ninus as referred to by Vives is called “King of India.” The word “India” in classical writers, though not always, yet commonly means Ethiopia, or the land of Cush. Thus the Choaspes in the land of the eastern Cushites is called an “Indian River” (DIONYSIUS AFER. Periergesis); and the Nile is said by Virgil to come from the “coloured Indians” (Georg)–i.e., from the Cushites, or Ethiopians of Africa. Osiris also is by Diodorus Siculus (Bibliotheca), called “an Indian by extraction.” There can be no doubt, then, that “Ninus, king of India,” is the Cushite or Ethiopian Ninus.
The identity of Nimrod, however, and the Egyptian Osiris, having been established, we have thereby light as to Nimrod’s death. Osiris met with a violent death, and that violent death of Osiris was the central theme of the whole idolatry of Egypt. If Osiris was Nimrod, as we have seen, that violent death which the Egyptians so pathetically deplored in their annual festivals was just the death of Nimrod. The accounts in regard to the death of the god worshipped in the several mysteries of the different countries are all to the same effect. A statement of Plato seems to show, that in his day the Egyptian Osiris was regarded as identical with Tammuz; * and Tammuz is well known to have been the same as Adonis, the famous HUNTSMAN, for whose death Venus is fabled to have made such bitter lamentations.
* See WILKINSON’S Egyptians. The statement of Plato amounts to this, that the famous Thoth was a counsellor of Thamus, king of Egypt. Now Thoth is universally known as the “counsellor” of Osiris. Hence it may be concluded that Thamus and Osiris are the same.
As the women of Egypt wept for Osiris, as the Phoenician and Assyrian women wept for Tammuz, so in Greece and Rome the women wept for Bacchus, whose name, as we have seen, means “The bewailed,” or “Lamented one.” And now, in connection with the Bacchanal lamentations, the importance of the relation established between Nebros, “The spotted fawn,” and Nebrod, “The mighty hunter,” will appear. The Nebros, or “spotted fawn,” was the symbol of Bacchus, as representing Nebrod or Nimrod himself. Now, on certain occasions, in the mystical celebrations, the Nebros, or “spotted fawn,” was torn in pieces, expressly, as we learn from Photius, as a commemoration of what happened to Bacchus, * whom that fawn represented.
* Photius, under the head “Nebridzion” quotes Demosthenes as saying that “spotted fawns (or nebroi) were torn in pieces for a certain mystic or mysterious reason”; and he himself tells us that “the tearing in pieces of the nebroi (or spotted fawns) was in imitation of the suffering in the case of Dionysus” or Bacchus. (PHOTIUS, Lexicon)
The tearing in pieces of Nebros (Nabu), “the spotted one,” goes to confirm the conclusion, that the death of Bacchus, even as the death of Osiris, represented the death of Nebrod, whom, under the very name of “The Spotted one,” the Babylonians worshipped. Though we do not find any account of Mysteries observed in Greece in memory of Orion, the giant and mighty hunter celebrated by Homer, under that name, yet he was represented symbolically as having died in a similar way to that in which Osiris died, and as having then been translated to heaven. *
* See OVID’S Fasti. Ovid represents Orion as so puffed up with pride on account of his great strength, as vain-gloriously to boast that no creature on earth could cope with him, whereupon a scorpion appeared, “and,” says the poet, “he was added to the stars.” The name of a scorpion in Chaldee is Akrab; but Ak-rab, thus divided, signifies “THE GREAT OPPRESSOR,” and this is the hidden meaning of the Scorpion as represented in the Zodiac. That sign typifies him who cut off the Babylonian god, and suppressed the system he set up. It was while the sun was in Scorpio that Osiris in Egypt “disappeared” (WILKINSON), and great lamentations were made for his disappearance. Another subject was mixed up with the death of the Egyptian god; but it is specially to be noticed that, as it was in consequence of a conflict with a scorpion that Orion was “added to the stars,” so it was when the scorpion was in the ascendant that Osiris “disappeared.”
From Persian records we are expressly assured that it was Nimrod who was deified after his death by the name of Orion, and placed among the stars. Here, then, we have large and consenting evidence, all leading to one conclusion, that the death of Nimrod, the child worshipped in the arms of the goddess-mother of Babylon, was a death of violence.
Now, when this mighty hero, in the midst of his career of glory, was suddenly cut off by a violent death, great seems to have been the shock that the catastrophe occasioned. When the news spread abroad, the devotees of pleasure felt as if the best benefactor of mankind were gone, and the gaiety of nations eclipsed. Loud was the wail that everywhere ascended to heaven among the apostates from the primeval faith for so dire a catastrophe. Then began those weepings for Tammuz, in the guilt of which the daughters of Israel allowed themselves to be implicated, and the existence of which can be traced not merely in the annals of classical antiquity, but in the literature of the world from Ultima Thule to Japan.
Of the prevalence of such weepings in China, thus speaks the Rev. W. Gillespie: “The dragon-boat festival happens in midsummer, and is a season of great excitement. About 2000 years ago there lived a young Chinese Mandarin, Wat-yune, highly respected and beloved by the people. To the grief of all, he was suddenly drowned in the river. Many boats immediately rushed out in search of him, but his body was never found. Ever since that time, on the same day of the month, the dragon-boats go out in search of him.” “It is something,” adds the author, “like the bewailing of Adonis, or the weeping for Tammuz mentioned in Scripture.”
As the great god Buddh is generally represented in China as a Negro, that may serve to identify the beloved Mandarin whose loss is thus annually bewailed.
The religious system of Japan largely coincides with that of China. In Iceland, and throughout Scandinavia, there were similar lamentations for the loss of the god Balder. Balder, through the treachery of the god Loki, the spirit of evil, according as had been written in the book of destiny, “was slain, although the empire of heaven depended on his life.” His father Odin had “learned the terrible secret from the book of destiny, having conjured one of the Volar from her infernal abode. All the godstrembled at the knowledge of this event. Then Frigga [the wife of Odin] called on every object, animate and inanimate, to take an oath not to destroy or furnish arms against Balder. Fire, water, rocks, and vegetables were bound by this solemn obligation. One plant only, the mistletoe, was overlooked. Loki discovered the omission, and made that contemptible shrub the fatal weapon.
Among the warlike pastimes of Valhalla [the assembly of the gods] one was to throw darts at the invulnerable deity, who felt a pleasure in presenting his charmed breast to their weapons.
At a tournament of this kind, the evil genius putting a sprig of the mistletoe into the hands of the blind Hoder, and directing his aim,
the dreaded prediction was accomplished by an unintentional fratricide.
The spectators were struck with speechless wonder; and their misfortune was the greater, that no one, out of respect to the sacredness of the place, dared to avenge it.
With tears of lamentation they carried the lifeless body to the shore, and laid it upon a ship, as a funeral pile, with that of Nanna his lovely bride, who had died of a broken heart. His horse and arms were burnt at the same time, as was customary at the obsequies of the ancient heroes of the north.” Then Frigga, his mother, was overwhelmed with distress. “Inconsolable for the loss of her beautiful son,” says Dr. Crichton, “she despatched Hermod (the swift) to the abode of Hela [the goddess of Hell, or the infernal regions], to offer a ransom for his release. The gloomy goddess promised that he should be restored, provided everything on earth were found to weep for him. Then were messengers sent over the whole world, to see that the order was obeyed, and the effect of the general sorrow was ‘as when there is a universal thaw.’” There are considerable variations from the original story in these two legends; but at bottom the essence of the stories is the same, indicating that they must have flowed from one fountain.”
Just a few final comments - This article provides some great background information. I had no idea where the term “occult ” came from or what it meant. The idea of the moon eclipsing the sun as a symbol of the occult fits quite neatly. It makes perfect sense. Biblical prophcy involving things pertaining to satan or evil are always stated in months (moons) while prophecy in regard to Christ are in days, weeks or years or things pertaining to the light or the sun. That symbol also clearly shows satan’s method of operation and his ultimate desire. He has been persistently trying to eclipse the light of God’s truth with his own lies. He literally attempted to permanently shroud The Light of the World and the Living Truth (Christ) at Christ’s crucifixion. That symbol makes sense on so many different levels.
Again, great job with this article!
God Bless,
John
John, this is an amazing response. Better than the original post! I just spent 20 minutes resizing the “comments” text in the site code so it’ll be easier for people to read it.
Thanks for this information! I hope everyone will check it out.
Personally, I have no problem with seeing Nimrod as Osirus. The more and more you learn about mythology, you just can’t help but to see the similarities and realizing it’s all derived from one source and evolves as time goes by, rehashing the same anti-semetic, anti-Christian message… in that I mean, all of these stories revolve around a counterfeit resurection/savior, that’s almost always an “underworld” god.
Hi again,
Thanks. Again though, your article really prompts the gray cells.
I’ve been thinking about the mosiacs, especially the main one with the eye in the middle of the vortex. Unfortunately, for some reason the pictures that you posted aren’t showing up on my computer. I have an iMac (Incidently, I read an interesting article on the Apple computer and how the logo of the apple with a bite taken out of it refers to the events that took place in Garden of Eden.) and some times photographs just show up as gray rectangles. Bummer! I’m interested in seeing the artwork. Being a bit of an artist myself, one thing most artists know from experience is that when a piece of art is being constucted, a lot of planning and consideration is taken into what will be included in the work, how the eye will be directed around it, what thoughts or emotions are trying to be evoked and what message(s) is(are) trying to be relayed.
Thinking along those lines, could you tell me what location on the map, the eye and center of the vortex is located? That location may also be of significance especially since it is the focal point. I’m also thinking of the vortex and if there are any major geographic sites incorporated into it. I don’t know if the photos show that kind of detail, but it might be interesting to see if there is more information in the mosaic when studied more closely.